Severe Pony Face

chronicleoflivedcloth:

first encounters

What is the appropriate discourse of cloth? For something as old as it is, it has touched so many histories, so many politics, so many narratives personal and social. As a part of virtually every culture of humanity, the discourse of cloth and textile must be vast indeed. But to see ourselves in relation to such breadth can be baffling. We lose ourselves in the annals of so much history. Cloth, being so present to every moment of life, is attendant not only to the major events in the narrative arc between birth and death, but also the excruciatingly dull and banal—the almost imperceptible textures of the the everyday. 

This project is a route to knowing ourselves and the lived in cloth that surrounds us. We are looking for working cloth, working rags, working shirts, working sheets. We will hunt down their conflicted production methods, their relations to our grandmother’s and grandfather’s hands. Mostly, we will try to look harder at what is typically so uneventful. In doing this, we hope to see cloth more clearly and more closely. What it may reveal may not be pretty, in fact it will undoubtedly be embarrassing at times. One fact of cloth is its mixed connotations and problematic reality. The other is its superb closeness to our lived experience, the poetics of that closeness. it is the potential of cloth that it offers such simoltenairty.

-Jovencio de la Paz
Feb 2

chronicleoflivedcloth:

first encounters

What is the appropriate discourse of cloth? For something as old as it is, it has touched so many histories, so many politics, so many narratives personal and social. As a part of virtually every culture of humanity, the discourse of cloth and textile must be vast indeed. But to see ourselves in relation to such breadth can be baffling. We lose ourselves in the annals of so much history. Cloth, being so present to every moment of life, is attendant not only to the major events in the narrative arc between birth and death, but also the excruciatingly dull and banal—the almost imperceptible textures of the the everyday.

This project is a route to knowing ourselves and the lived in cloth that surrounds us. We are looking for working cloth, working rags, working shirts, working sheets. We will hunt down their conflicted production methods, their relations to our grandmother’s and grandfather’s hands. Mostly, we will try to look harder at what is typically so uneventful. In doing this, we hope to see cloth more clearly and more closely. What it may reveal may not be pretty, in fact it will undoubtedly be embarrassing at times. One fact of cloth is its mixed connotations and problematic reality. The other is its superb closeness to our lived experience, the poetics of that closeness. it is the potential of cloth that it offers such simoltenairty.

-Jovencio de la Paz

jennilee:

Karla Black
migros museum
Nov 24

jennilee:

Karla Black

migros museum

ummhello:

Adam Brooks, Strategy #1 (at Museum of Contemporary Art Chicago)
Nov 24

ummhello:

Adam Brooks, Strategy #1 (at Museum of Contemporary Art Chicago)

jennilee:

BLACK MOBILE « ARCHIVO DIARIO
Nov 23

jennilee:

BLACK MOBILE « ARCHIVO DIARIO

theories-of:

Erin Riley, Wet T-shirt, 36in x 25in, 2010
Nov 23

theories-of:

Erin Riley, Wet T-shirt, 36in x 25in, 2010

(via 3000km)

Nov 23

likeafieldmouse:

Jenny Holzer - Truisms (1977-79)

(Source: likeafieldmouse, via hospitaltown)

referenceartgallery:

Dan Rees
Nov 4

referenceartgallery:

Dan Rees

(via 3000km)

jennilee:

wolfgang tillmans
Nov 3

jennilee:

wolfgang tillmans

(Source: cntgn)

likeafieldmouse:

Bethan Huws - Word Vitrine (2008)
Nov 3

likeafieldmouse:

Bethan Huws - Word Vitrine (2008)

(Source: likeafieldmouse, via hospitaltown)

selectedbyruler:

Jessica Sanders: Latch, 2012 
door latch inset into wall
Nov 3

selectedbyruler:

Jessica Sanders: Latch, 2012 

door latch inset into wall

thingsorganizedneatly:

Leonor Antunes, 1969 II, 2008.
Nov 3

thingsorganizedneatly:

Leonor Antunes, 1969 II, 2008.

jennilee:

Thomas Rentmeister
Nov 3

jennilee:

Thomas Rentmeister

jennilee:

dancing trees, singing birds - hiroshi nakamura
Nov 3

jennilee:

dancing trees, singing birds - hiroshi nakamura

(Source: furandloathing)

Nov 3

(Source: likeafieldmouse, via foxesinthegraveyard)

multitudes:

Yoko Ono, ‘To the Light…’ Installation 2012.
Oct 29

multitudes:

Yoko Ono, ‘To the Light…’ Installation 2012.

(via etperseetsee)